Hurricane is the brand new short film from Christiano Dias, an experienced short film director who has managed to fit 20 writer-director credits under his belt in the span of a decade. His latest puts a humorous spin on anti-Communist sentiments running rampant in 1950s America.
It tells a darkly comic tale of a couple, Oslo (Corey Page) and Eva Alduars (Lisa Roumain), experiencing some strange happenings during the course of dinner. A tense argument over the meal soon focuses on the radio they have playing in the background, which crackles in and out before eventually going silent. It reminds Oslo of a similar incident that apparently happened at a neighbor’s house, in which a man had discovered a wiretapping device inside his radio. Supposedly that same man had disappeared from the area not long after that. Oslo suspects the Commies got him.
Moments later, a knock at the door. A boy introduces himself as Benjamin Shaw (David Jay), and appears to be selling newspaper subscriptions. But something just doesn’t add up. Oslo begins to think the timing of these events is no coincidence. Meanwhile, a storm closes in on the house outside. Dias challenges us to consider all of the possibilities here, including what seems most unlikely.
What’s most apparent with Hurricane are the production values. Crisp colors and retro shapes and objects transport you back into the Cold War era, a physical sense of time and place conjured from wisely chosen props and set decor, not least of which is that pesky radio — virtually a character unto itself. Thick curtains drawn across large windows occupy considerable space within the frame, a not-so-subtle nod to the Red Scare.
It’s not just visual cues that tip us off, either. There’s a lot of strong eye-acting going on here, whether it’s an accusatory stare from over the top of Oslo’s glasses or the intense look of irritation, borderline anger, in Eva’s. Watch as the look turns from one of disgust to concern as she watches the man steadily come undone. The period details even is evident in the tones of voices used, the cadence with which the characters speak. Paying attention to these little nuances is more important than to the acting itself, which can be pretty shaky.
Those details add up to a unique and at times disconcerting experience that plays with notions of how paranoia and mistrust can lead us to make poor decisions and act irrationally. The set-up is simple but effective, making for a short film that I really kind of have to recommend.